September 14 - October 3, 2018
Myeonghyeon Im aka Mio
Group exhibition curated by WOW x WOW
Adrian Landon Brooks
Deth P. Sun
Sam Wolfe Connelly
Painter living and making in Iowa, USA.
“Rumination” is a collection of drawings and paintings illustrating scenes of contemplation. The figure in my work are suspended between worlds, captured in that moment of being awake and dreaming, when the mind is free to wonder and create. The noise and clutter from the day are condensed into seeds that sprout into various forms of leaves, flowers, and insects. The complexity of the plants and flora are simplified into colors and forms that I can recognize and build on. They grow into and out of the figure to create flourishing gardens, suggesting that the mind is fertile ground for growth and renewal.
It's been 11 years since Gallery Nucleus held its first Unicorn Show, and we are happy to announce that we are bringing this exhibition back! We will explore the folklore, mythology, and beauty of this mystical creature through the work of these artists:
Amy Sol / Alan Brown / Daria Tessler / Huntz Liu / Jeanne D'Angelo / Jason Limon / Joey Stupor / Junko Mizuno / Leo Eguiar / Michael C. Hsiung / Nomi Chi / Oliver Hibert / Rona Liu / Shoko Ishida / Tetsunori / Wendy Hearts
EDWARD KINSELLA III
St Louis, Missouri
Edward Kinsella III was born in St Louis, Missouri, in 1983. He graduated with honors from Ringling School of Art and Design in 2006, and his work has since been commissioned by a variety of prestigious magazines and publishers. He has also shown his fine art and illustration in a number of gallery exhibitions. His accolades include gold and silver medals from the Society of Illustrators, and a Gold Award from Spectrum.
Creeps represents Edward Kinsella’s journey deeper into paranormal themes. Drawing on multiple visual and literary sources, Edward creates pieces that mix a peculiar visual hodgepodge with a lifelong fascination with the paranormal. Creeps celebrates the strange, the unusual, and the things that go bump in the night.
London, United Kingdom
Breaking the traditional boundaries of craft, Stewart Francis Easton’s work fuses together hand embroidery, sonic art and music. Drawing upon and using folk song, story and social history as a starting point Easton works with the space and weight of story to create large scale wall based pieces which emphasise the passage of time within a single panel. These pieces vary in size and medium and can be drawn with hand embroidery, direct wall drawing or paint. Whichever medium is used Easton emphasises the need to create using the hand as it is in this process that a connection is made with the story allowing a slowing down and immersion in the moment. Most recently Easton has been removing the ‘storyline’ of a visual narrative by creating geometric/ graphic forms in stitch. This reassembling of his work ethic in a chance layout enables the viewer to be free of their preconceptions of story. Using a process of abstract minimal stitch he is enabling himself to create a visual reference to an ever changing pathway and reaching for a utopian form. Easton’s stitch work blurs the lines between craft, illustration and fine art making his work dynamic and progressive and a must see. Stewart Francis Easton is a visual storyteller based in London who works in thread, ink, paint and digital media.
TITLE: THE GLASS BEAD GAME
The Glass Bead Game is Easton's exploration into the fictional Castalian order of mind, spirit and the artistic life.
Drawing upon the major elements and characters from Hesse's great work Easton has fused together and created a depiction of a fantastical world of spirit and art.
Using a contemplative approach in the creation of each of the works he has allowed a space to develop within the journey of their creation. This space gives the viewer a glimpse into the artistic life and the possibilities available to us when we not only look at a work, but meditate upon it.
We just turned 1-year old, and we are excited to be celebrating with a spectacular artist line-up for our Anniversary Group exhibition!
JAKE KEAN MAYMAN
Los Angeles, CA
A Look presents a new body of work by Bijou Karman where an ideal world is depicted in vibrant colors and over-the-top fashion. Karman’s women are beautiful, strong individuals. They invite the viewer to gaze, but do not hesitate to look back. Details in each piece signify who the woman is, what she wants, and how she sees the viewer. Their unique fashions derive from real clothing, yet the women and their surroundings are imagined. This creates a satisfying tension between a realistic depiction and an overly-perfect designed world. Foliage, greenery and houseplants are a recurring theme in this body of work; a visual representation of the untamable woman. A domestic houseplant can be manicured, but ultimately it will grow as it pleases.
Bijou Karman is an artist and illustrator from Los Angeles. She graduated with Distinction from Art Center College of Design in 2014. As an illustrator she has worked with clients such as Harper's Bazaar, The Los Angeles Times, and Rihanna. Her paintings are inspired by unique women, nostalgia, flora, and the California landscape. In this body of work, fashion becomes a way to express the distinct personalities of her subjects.
Los Angeles, CA
Maxwell McMaster's new body of work "Cherish the Day" is a reflection of past events and possible future ones that highlight the “good times” in our lives. Life is a short journey and our time here is limited. “Cherish the Day” explores moments that inspire us and make us feel alive. The work is brought to life abstractly to capture the feeling of a moment rather than a literal depiction. By overlapping moments on top of one another, Max's paintings are depicted through color, and texture the changing of scenes over the course of a day. The images serve as a reminder that life is beautiful and each day is a gift.
Maxwell McMaster is a Los Angeles based multidisciplinary artist/designer. His work is primarily a reaction to his surrounding environment, or a reflection of past experiences. Maxwell explores a wide range of styles and techniques within his work, allowing the concepts to dictate the aesthetic.
Los Angeles, CA
Timothy Lamb’s debut solo exhibition imagines a glimpse into a vibrant parallel universe where chaotic scenes of war and leisure play out a familiar and timeless existence. In settings of neither past nor future, figures fill the canvas engaged in savage civil wars, ritualism, and dangerous encounters with the untamed wild. Inspirations include a life-long obsession of dinosaurs, religious art, comics, and science-fiction, and the art of battles preserved in many ancient civilizations. The artist works with acrylic paint, using a Paasche airbrush and neons to bring a panoply of faux beings and civilizations to life. Contrasting the darker themes of his paintings is always a sliver of playfulness, bringing a sense of humor to otherwise chaotic and morose subjects. Unfortunately, there is a sense that the colorful beings of Lamb’s paintings seem tragically doomed to realize the same fate of violence and flaws of human behavior that we see in our world today.
Timothy Lamb is a Los Angeles based artist recognized for his achievements for his work in the animation industry over the last decade. He studied at the Academy of Art University in San Francisco before entering into animation art in the capacities of art direction, visual development and character design.
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